Posted on January 10, 2017
Winter is here and because I hate the cold I usually have to find a silver lining to this change of season. Right now, the silver lining is putting together new outfits to make going outside in the Winter more bearable. I’ve been having some fun combining my Fall pieces with new winter pieces to make weather-appropriate, but stylish outfits. Here are some of my favorite Winter must-have looks!
Updated on December 5, 2016
My Feminine Experience, for She Cult
My feminine experience is characterized by my pride in being a woman. As a woman I can express myself and my femininity however I want, no matter what anyone else thinks. I express my femininity in little things like changing my hairstyle at random and trying to enhance my novice make-up skills. I express my femininity in the broader sense by being multi-dimensional and representing brown, queer, womanhood.
I represent the fight and the struggle and the magic and the glory that is being a woman. My mother, my grandmother, and even my little sister taught me how these important ingredients work together to make women so unique and powerful. Feminine of center people all share these characteristics because presenting as feminine has always been seen as a weakness and we have always had to defy the odds – both actual and presumed. I take pride in defying the stereotype of being unable to withstand or survive. When I am loud, when I am opinionated, and when I am a fighter I am proudly embracing my femininity. When I cry, when I am quiet, and when I am vulnerable I am proudly embracing my femininity. I proudly embrace my femininity while I am actively taking a stand against gender norms because I know that gender is a spectrum and therefore so is femininity. Anyone who falls anywhere on the panorama of the feminine identity should be respected for who they are and not judged on who they are assumed to be.
My queer feminine identity is what some people would call a “femme” identity. I do present physically as a femme but I reject the stereotypes that come with it. Being petite and an introvert, I have always had to surprise people with myself. My identity has been no different. Having once identified as bisexual, I’ve had to reject all the categorizations that coincide with sexual orientation too. I’ve been stuffed into the boxes of passive, delicate, confused, and unsure of myself when, in fact, I have always known who I am. I just never knew the person others thought I was. And although I tried to get to know this person, she has remained a stranger to me. I only know the woman who appreciates women and all things feminine; the softness, the strength, the beauty, and the courage – the things I see in myself and the things I love in others.
I may like to dress up, cover my eyes at the scary parts of movies, and am pretty bad at most sports but I am not afraid to work hard or get dirty, I am more than capable of standing up for myself, fighting for what’s right, and having fortitude in the face of adversity. Every day I become more and more comfortable with having the unpopular opinion, the unexpected identity, and standing on my own two feet when people tell me I am not who I know that I am. I may be reserved and quiet at first glance but I know what I want and I am not afraid to say it. I am 100% feminine and, despite popular opinion, this femininity is evidence that I am capable to withstand anything the world throws my way because without this capacity, people like me with a feminine experience wouldn’t even exist. Our survival is what makes us unique and also what gives us our infinite power. I am proud that as a brown, queer, feminine woman, I have inherited and earned this strength and can share my unique experience with others of the femme persuasion.
This essay was written for She Cult’s Fall 2016 E-zine. She Cult is a collective for feminine-of-center queer people based out of Emerson College.
Updated on September 19, 2016
As New York Fashion Week 2016 (showing Spring Summer 2017) comes to a close, I’m reminded that a new season for fashion is here. Though it may still be nice out, you can feel the crisp Fall bite in the air. Time to break out the boots and layers, but don’t put away the summer dresses and tees just yet.
When I was a teenager I used to live for the extra thick back-to-school fashion issues of all my favorite magazines that came in August, in preparation for September. Now, as an adult, it’s no longer back-to-school shopping time for me, but Fall fashion is no less exciting and I still pore through magazines – and blogs, Instagram, and Pinterest, of course – looking for what pieces to add to my wardrobe for the upcoming season.
All the top fashion and lifestyle magazines, and their corresponding social media, never fail to deliver the latest trend forecasts and the masses happily follow them – sometimes without even realizing it. The only thing is, many times the examples of these trends are just a bit out of the average person’s price range since many of the looks are ripped from the runway and haven’t trickled down to mainstream retail yet.
So I decided to put together my own Fall Fashion Trend list, complete with shopping options for any budget. This list is largely based on looks that were displayed in some of the most popular designers’ Fall Winter 2016 collections, as well as all the fashion content I could get my hands on this month. Enjoy!
Updated on September 28, 2016
I first came across Mickalene Thomas’ work on – where else? Pinterest. Because I’m obsessed. Anyway, besides her work being gorgeous and the fact that it focuses on black female identity and sexuality, I was drawn to find out more about her when I discovered that not only is she an openly gay black artist, but she is also from Camden, NJ, where I was born. To top it off, she is now based out of Brooklyn, NY, just as I am.
Thomas’ work is a cross between that of Romare Bearden, Henri Matisse’s fauvism, and pop art. She often uses mixed-media, a technique in which she incorporates acrylic paint along with glitter, rhinestones, and other materials. She also utilizes photography and multi-textured collages filled with patterns and bright colors. On her use of patterns, Thomas says in a 2011 interview with PMC Mag that, “Pattern has been an important part of my work for a very long time–I use it to create rhythm and dissonance in the work as well as to reference an array of influences and sources.”
Thomas also creates amazing installations, which are works of three-dimensional creation, often used to transform a space into a representation of a certain concept or theme. Below is Thomas’ “Better Days” installation, which depicts a childhood memory of when her mother hosted parties and other events to raise money to fight causes that affect the Black community.
Remarkably, Thomas introduces the Black woman into classical art in a beautiful and poignant way. This is especially apparent in her 2012 exhibition, “The Origin of the Universe,” where, as Huffington Post puts it, she “…trad[es] in Romantic renditions of milky skin and auburn curls for glamorous black women, their nude forms replaced with bold, printed ensembles, playful wigs, and electric makeup…Thomas does far more than insert black women into an artistic narrative from which they were, for so long, excluded.” With each new exhibit, Thomas challenges societal norms of beauty and forces the viewer to come face to face with how she perceives it.
Even as her work evolves, Thomas continues to put the Black woman at the forefront as she does with the many-layered tapestries and landscapes that surround them. She is able to achieve the fine balance between a Black woman’s sexuality, strength, and femininity and by doing so she allows her work to exude a certain truth and sincerity that is often lacking in the one-dimensional portrayal of the Black woman.
In a 2016 Women in the World, New York Times interview, when asked how her work is affected by how the black woman’s experience is often erased in the feminist dialogue, Thomas says, “By selecting women of color [as my subjects], I am quite literally raising their visibility and inserting their presence into the conversation. I like to think of the portraits as mirrors… We are not validated until we see ourselves, and the mirror is a tangible object that works as an evidence to external appearance. Not only are we present, we demand that we be seen, be heard, and be acknowledged.”
In an Interview Magazine feature, Thomas specifically speaks about the importance of representing the Black woman when it comes to ideals of beauty. She says, “Out of necessity, black women have always had to consider others’ perceptions of a certain beauty ideal, just starting with the skin color.” This is where her art comes in; it not only validates the Black woman’s existence, it seeks to educate the rest of the world on just how beautiful and precious a Black woman’s skin, hair, and body are and that these are not to be devalued by any outsider who may not understand their worth.
In total recognition of her intersectionality, Thomas’ art also conveys powerful messages about the female body and women’s sexuality. Thomas’ “Origin of the Universe” is an invocation of Gustave Courbet’s “Origin of the World” (1866), where Courbet painted a headless torso of a woman with her legs spread, leaving everything for full view. With her rendition, Thomas strips the power away from such a male-centered, controversial work and turns it into something much more empowering. She uses herself as the model, spread legs and all, and in her signature style, she incorporates glitter into the portrait. Thomas makes it her own in such a way that seems to exclaim, ‘It is my body and I will allow you to view it when and how I please!’
Thomas is also adept at seamlessly featuring intimacy between Black women in her artwork. Another piece in her exhibition, “Origin of the Universe”, called “Sleep: Deux Femmes Noires” (also an invocation of Courbet’s work), depicts two Black women with limbs intertwined, taking a nap in the midst of a garden full of disjointed colors and shapes.
Keeping in theme with intimacy between Black women, Thomas is known for using subjects that she has good relationships with, both working and personal. Her most recent work, “Muse”, is based on a book of the same name and is dedicated to her photography of many of the women she works with. The exhibit and book feature several of Thomas’ personal friends and acquaintances with whom she became closer with as she continued to use them as subjects in her pieces. Read More
Updated on September 18, 2016
If you’re anything like me, you don’t have nearly as much fun getting dressed for a regular work day as you do for the weekend or even an after-work outing. I know work clothes can be fun too, but since I’d rather spend my money on trendy or chill clothes, my work attire can be described as, at best, cute business casual. In other words, boring. Work fashion doesn’t excite me as much as everyday fashion does, especially street style, although I may not be brave enough yet to don some of the cool outfits I see and love.
But having to dress for my 9 to 5 for 5 out of 7 days in the week leaves me with the dilemma of not having enough time to experiment with new looks. Now, I’m no fashionista, but I do dabble and at least know what the trends are, even if I don’t wear them every day. In the beginning of each new season, I usually make a list of key pieces I want to get and go on Pinterest and Instagram for looks I want to try. But this summer is going by super fast! So what’s girl to do when it seems there aren’t enough days in the summer for fun, warm weather fashion?
I decided to post some of my favorite looks on here and challenge myself to execute all of them by the end of the season. Challenge accepted.
Here are the particulars:
As seems to be the case every season lately, prints are in this summer. In addition, so are matching separates. With this outfit, you get two for one. I love the fringe-y sandals too. Thankfully, I have a pair already!
More prints; this time, a little bit of mix and match. My favorite part of these looks are the use of the pineapple, which also seems to be big this summer, and the tropical plants in the bold prints. As usual, the Quann sisters are killing it.